When we think of ancient Scotland, our minds often conjure images of tartan-clad Highlanders or the epic struggles of William Wallace. But before the Scots, before the very name “Scotland” existed, the lands north of Hadrian’s Wall were home to a fiercely independent and enigmatic people: the Picts. Known to the Romans as the Picti, or “Painted People,” they left behind a legacy not of written histories, but of hauntingly beautiful symbol stones and a story of cultural transformation that continues to fascinate historians and archaeologists today.
Who Were the ‘Painted People’?
The name itself is a Roman invention. The first recorded mention of the Picts comes from the Roman orator Eumenius in 297 AD, who described them alongside the Irish (Scots) as enemies of Britain. The name Picti is widely believed to refer to a practice of painting or tattooing their bodies, perhaps with the blue woad plant, creating an intimidating appearance in battle. While we have no direct Pictish confirmation of this, the description stuck, shaping their image for centuries.
In reality, the Picts were not a single, monolithic tribe but a confederation of Celtic-speaking peoples who inhabited the lands north of the Forth-Clyde isthmus from the Iron Age to the 9th century. Their origins are debated, but they likely descended from the indigenous tribes of the Iron Age, the same people the Romans called the Caledonii. What they called themselves is lost to time, but their culture was distinct, setting them apart from the Britons to the south and the Gaels of Ireland who would later arrive on their western shores.
A Thorn in the Side of Rome
The might of the Roman Empire, which had conquered territories from the Sahara to the Rhine, broke against the highlands of Caledonia. Despite numerous campaigns, including the famous battle of Mons Graupius around 83 AD, the Romans never succeeded in subduing the northern tribes. The historian Tacitus gives a stirring, though likely Roman-authored, speech to a Caledonian leader, Calgacus, who decries the Romans as those who “create a desert and call it peace.”
Unable to conquer them, the Romans instead built massive fortifications to contain them. Hadrian’s Wall, and later the short-lived Antonine Wall, were not merely borders but heavily militarized frontiers designed to control trade and defend against Pictish raids. For centuries, the Picts remained a persistent threat to the security of Roman Britain, a symbol of untamed resistance on the edge of the known world.
Glimpses into Pictish Society
With no written records of their own, we must piece together the Pictish world through archaeology and the biased accounts of their enemies. What emerges is a picture of a complex and sophisticated society.
- Power and Leadership: Early Pictish society was likely a loose collection of tribes ruled by chieftains. Over time, powerful overarching kingdoms emerged. One of the most significant Pictish rulers was King Bridei mac Maelchon, who, in 685 AD, famously defeated an invading Northumbrian army at the Battle of Nechtansmere (or Dun Nechtain). This decisive victory halted Northumbrian expansion and secured Pictish independence for generations. Historians have also long debated evidence for a matrilineal system of succession, where kingship was inherited through the mother’s line—a practice almost unique in Early Medieval Europe.
- Settlements and Daily Life: The Picts were skilled farmers and herders. Their leaders occupied formidable hillforts, such as the impressive site at Burghead on the Moray coast, which was defended by massive timber-laced ramparts. Archaeology has also uncovered evidence of everyday life in souterrains—underground stone-lined passages and chambers, likely used for storing food and protecting goods from the harsh climate.
The Language of Stone: The Pictish Symbols
The most iconic and mysterious legacy of the Picts is their symbol stones. Over 300 of these beautiful carved stones have been discovered across eastern Scotland. They are generally categorized into three classes:
- Class I: The earliest type. These are unworked boulders with symbols simply incised into the stone.
- Class II: More sophisticated, these are rectangular, dressed stone slabs featuring symbols carved in relief, often alongside an elaborate Christian cross. These stones beautifully illustrate the gradual fusion of Pictish tradition and incoming Christian beliefs.
- Class III: Later stones that feature Christian imagery, but without the traditional Pictish symbols.
The symbols themselves are a vocabulary we can no longer read. They include geometric designs like the “crescent and V-rod” and the “double disc and Z-rod,” as well as stylized animals like eagles, salmon, and the curious “Pictish Beast”—a creature that resembles a swimming elephant or dolphin. Were these symbols a form of writing? Did they represent family lineages, clans, or marriage alliances? Or were they memorials to the dead? Without a Pictish Rosetta Stone, their exact meaning remains one of history’s great puzzles.
The ‘Disappearance’ of the Picts
By the 10th century, the Picts seem to vanish from the historical record. Their language disappears, their unique symbols are no longer carved, and their name is replaced by a new identity. So, what happened?
The Picts did not vanish; they assimilated. Several powerful forces led to this cultural transformation:
- The Gaels: From the 5th century onwards, Gaelic-speaking settlers from the Irish kingdom of Dál Riata established a foothold in what is now Argyll. Through centuries of intermarriage, political alliance, and conflict, Gaelic culture and language spread eastwards into Pictland.
- The Vikings: Beginning in the late 8th century, devastating Viking raids shattered Pictish coastal power centres, particularly in the north and the islands. This upheaval may have weakened traditional Pictish authority and accelerated the cultural merger with their Gaelic neighbours.
- A New Kingdom: The pivotal moment came around 843 AD. Cináed mac Ailpín (Kenneth MacAlpin), a king of Gaelic Dál Riata who also had Pictish maternal ancestry, asserted his claim to the Pictish throne. By uniting the two peoples under his rule, he laid the foundation for a new, Gaelic-dominated kingdom called Alba—the precursor to modern Scotland.
Within a few generations, the Pictish language was replaced by Gaelic, their matrilineal succession gave way to a Gaelic patrilineal system, and their identity was absorbed into that of the “Scots.” They weren’t annihilated; they became the bedrock of a new nation.
Today, the legacy of the Picts endures. It lives in the place names of eastern Scotland, in the intricate designs that inspire modern art, and most powerfully, in the silent, weathered stones that still stand guard over the glens and coastlines. They are a testament to a lost people who, for a time, carved their identity into the very rock of Scotland.